Overwhelmed with a collection of unviewed and unread entertainment I have sitting in stacks on shelves and in boxes, (and maybe a pile or two on the floor...), this is my way of working through the backlog. I read it/view it and then write about it.

Friday 5 April 2013

Hellblazer: Original Sins by Jamie Delano and others



Hellblazer: Original Sins, collects the first handful of stories from the John Constantine: Hellblazer series, with an added bonus of a two issue Swamp Thing story guest staring Constantine, during Rick Veitch’s  run on the series.

This is a book I have wanted to read for a long time, ever since first reading the character in Neil Gaiman’s Books of Magic when I was a kid. Since then, I’ve picked up a few trades (predominately, Garth Ennis’ first story arc 'Dangerous Habits', the basis of the Constantine film starring Keanu Reeves) and a spattering of floppies I’ve managed to track down at comic shops during my travels. He’s always been a fascinating character. He’s a true anti-hero with a British sense of wit, who always manages to stay ahead of the worst of it, often at the expense of those who trust him and count him as a friend.

This first trade, while containing a few different stories, mostly deals with this theme; the sacrifice of others to reach Constantine’s goals and the psychological costs associated with these sacrifices. In this regard, writer Jamie Delano and main artist John Ridgway do an outstanding job. Constantine’s tortured inner monologues and the pain in his face when he is confronted with his past gives the reader a real understanding of the character, and helps ensure Constantine isn’t just seen as a psychopath, instead adding a depth of humanity to Constantine.

The collection contains six stories spread over eleven issues. The first was my favourite, and does a solid job of introducing readers to what the character is about, as Constantine cleans up a mess let loose by a friend. The next few are all solid stories as well, and really build upon the mythos of Constantine, showing the range of stories that can be told. The only story that might be a touch weak is the final story taken from the book Swamp Thing, as it expects the reader to know a lot about what was going on in that title at the time. Having never read the Veitch run on Swamp Thing, I didn’t fully understand a lot of the motivations of Alec Holland or Abby except for what was inferred in the story or what I knew from Alan Moore’s run, making me feel like I was only getting a small glimpse into a world I wasn’t privy to.

Speaking of Alan Moore’s run on Swamp Thing, even though this book is a decent introduction to Constantine and his world, there is a lot of references to his actions in the Swamp Thing title from when Moore introduced/created John Constantine, and the majority of the ghosts Constantine is haunted by stem from events in that title. There is also an extended sequence where he visits the former apartment of an old friend that lacks exposition, and thus loses a lot of its power unless you have read the Swamp Thing 'American gothic' storyline.  

Overall, this is a great book, and worth the read if you are into occult comics or British anti-heroes. It sets the series on the right track, and while it reads like something out the 80s with its slow burn storytelling, it’s a refreshing change of pace compared to the high octane books that come out now, and it strikes a good balance of never being too compressed, nor a bloated uncompressed arc that drags out for the sake of filling a trade. If you’ve read any of Delano’s wonderful run on Animal Man, or loved Alan Moore’s run on Swamp Thing, this is a book you’ve probably read already, but if not, you’d be doing yourself a favour to move it up to the top of your pile.

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